A dancer in a grey draped dress braced against an enormous black stiletto on a white sweep, dwarfed by it

Washington DC · New York

Editorial and Fashion Photographer, Washington DC and New York

I make film-inspired fashion and editorial pictures, a little Y2K and a little moody, for brands, magazines, and designers who want more than a clean product shot. Concept, campaign, or cover, I shoot it like a story worth remembering.

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Concept, campaign, and fashion editorial

I photograph editorial and fashion stories for brands, magazines, designers, and the creatives who build a whole world around a single garment. Every shoot begins with a concept and a mood, then loosens once we are on set, because the frames I love most tend to arrive in the space between the ones we planned. My eye is film-inspired and a little Y2K, with moody color, honest skin, and a softness that makes a picture feel remembered instead of staged.

Sometimes that is a full campaign with a crew and a call sheet. Sometimes it is one strange, beautiful cover image, or a lookbook that has to sell a season and still feel like art. Either way, I care about the story living underneath the styling.

A woman crowned and seated with a long sword held upright in her hand, a red silk cape sweeping out behind her into the black

A man in heavy black glasses and an orange tee holding a vinyl record up beside his face

A woman in black on a low stool in front of an enormous yellow disc, a pale blue rotary telephone at her feet and her shadow thrown across the light

Made for brands, magazines, and creative teams

On set I work like a documentarian who happens to love clothes. I read a room fast, direct without stiffening anyone up, and keep the energy loose enough that seasoned models, founders, and first-time talent all end up looking like themselves. I have shot for retail and hospitality names, product launches, and independent designers, and I am as at home running a full team as I am with one person against a bare wall and a single light.

You leave with a tight, considered edit and color that protects the film-inspired mood rather than sanding it flat, delivered in the crops and usage your campaign actually needs, from the hero image down to the frame your social team wants at nine on a Tuesday.

Washington DC and New York, and wherever the idea travels

Washington DC hands me marble, late light on federal stone, and a formality that is genuinely fun to break. New York hands me subway platforms, stairwells, and rooms that were never built to be pretty. I shoot fashion and editorial across both cities and travel wherever the concept wants to go.

If you are planning a campaign, a magazine story, or a portfolio that finally looks like the work in your head, tell me the idea. I will bring the light, the pacing, and the film-inspired eye to match it.

A woman in a pale blue coat, jewelled cap and oversized black sunglasses, chin lifted, standing between the white steel spires of the Air Force Memorial

A woman in a red patterned dress sitting on the grass in front of a bank of hydrangeas, a black dog leaning into her

A woman in a teal suit standing alone at the top of a wide flight of marble steps under heavy grey cloud, an ornate cast iron lamppost at the edge of the frame

Shot from the ground between a pair of denim clad legs, a man in dark glasses looks down into the lens against blue sky

A woman with an afro crouched low in a harvested field, chin resting on her hand

Onward

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